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I'm Not Dead: The Journals of Charles Dudley, by Artie Cabrera
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On November 21st, 2013, a fiery storm transforms the landscape of New York City and the lives of its civilians. The island of Manhattan is under martial law. Neighboring boroughs are isolated without power or communication with the outside world. There is CHAOS all around. Charles Dudley, a survivor, writes this intimate and disturbing account about personal demons and deadly encounters with treacherous citizens, predatory humanoids, and extraordinary creatures in this End of Days memoir. (Mature Audience-17+) www.facebook.com/imnotdeadbook www.facebook.com/artiecabrera
- Sales Rank: #7148442 in Books
- Published on: 2013-04-08
- Original language: English
- Dimensions: 8.00" h x .56" w x 5.25" l,
- Binding: Paperback
- 246 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
A terrific, sometimes maddening read.
By Amazon Customer
A little jumbled and harder to follow at some points, but a very well written story with a unique view of a catastrophic event. Follows our antagonists through the stages of denial, grief, anger and acceptance as he makes his way through a monsterous turn of events. Artie makes the reader relate to our Hero's mental breakdown as he deals with being alone, and trying to be a good guy when the city he lives in goes to hell.
18 of 18 people found the following review helpful.
AWESOME!!!!!
By Carol Lampkin
The first thing that I will tell a potential reader is that this book is not for the individual who is easily offended by profanity. However, if profanity either does not bother you or if you can take it for what it is and let it build the character as he was meant to be portrayed, then you are in for a great ride.
As you may gather by the title, this is in a journal format. With this in mind, do not expect to get your traditional story. Do not expect to discover why things are the way they are. For the most part you are getting one man's perspective of one hell of a messed up world he finds himself in. You're living in this world with him, if only for a little while. And once you are finished... you find yourself wanting back in. As masochistic as that may sound, it is the truth.
I love how Charles Dudley recalls an event or series of events and then almost steps back and discusses how it affected him and the raw emotions evoked... not that he sits and talks about his feelings, but the way that he relays the facts, the internal struggles bleed through and... you just feel it.
The jumping around doesn't bother me very much. At least not like with other authors/stories. I think that it is because each "journal" entry is so bold, so complete, that I don't feel the NEED to "connect the dots." It doesn't need to flow together completely... to do so would seem wrong in some way. No, it is perfect as is in my opinion.
12 of 12 people found the following review helpful.
Real, raw, and gripping
By Colby Zoeller
Trying to figure out how to write this review took a lot of thought. I'm Not Dead: The Journals of Charles Dudley is difficult to review, because reviews by nature are comparative, and I have never read anything like this before. The closest thing for me to compare this to is Richard Matheson's I am Legend, which is one of my all time favorites. I'm Not Dead, however has a much more real and identifiable feel to it. It is written the way my brain works, meaning it can sound fancy when it wants to, but most often it skews more toward vulgarity and self-interest. In other words, you won't find anything else like this at Barnes & Noble. Huzzah for the self publishing trend as it has delivered us yet another talented author!
I'll address the language first to get it out of the way. This is not a book for the easily offended. Packed front to back with profanity, violence and rape, it is not something I would hand to my grandmother to read. I don't generally use a lot of profanity in my everyday life, but don't be mislead. My brain curses like a drunken sailor with a crippling case of Tourette's, and I found that my thoughts kind of echoed those of Dudley. That being said, through Charles Dudley's view of the vileness and horror that unfolds on New York City, Cabrera has crafted a gripping tale.
This is not a post-apocalyptic tale of society rebuilding, nor is it a zombie tale, although the Deviants certainly have some zombie-ish traits. It's just the story of how one average everyman deals with the end of the world, or at least the end of his world. His wife left him and took his daughter with her. So what if Charlie drank a little too much. Now, as everything in New York City falls apart around him, he would give absolutely everything just to see his little girl again, and know that she's safe.
By the half-way point of this book, I realized that I was not only completely identifying with the main character, but may actually be related to him. The hauntingly real experiences of Dudley's childhood and the way he reacts to the bizarre occurrences around him as an adult because of them ring so true, and many of them remind me of events from my own family's story.
The entire story is written in Journal form, so instead of getting a narrative from some omniscient being who can explain away all of your questions, you get one man's view of the events unfolding around him filtered through the warped lens of his traumatic childhood. Through all of his faults, vices, and errors, Dudley truly tries to do what he thinks is the right thing, and is easily one of the most raw, believable characters I have ever read. He isn't afraid to write those thoughts that you and I might have, but never voice out of desire for social acceptance. It's his journal and he explores the ideas most normal people would repress and never admit to, because if anybody else is reading it, he must be dead.
This was a phenomenal read and I am eagerly awaiting the sequel. The teaser at the end looks like the sequel will go in a very different direction, and as long as Artie Cabrera is driving, I am ready to head in whatever direction he wants to go. Lead on, sir!
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